Tuesday, April 7, 2020

Alighieri, Dante The Divine Comedy Essays - Divine Comedy

Alighieri, Dante The Divine Comedy The Divine Comedy by Dante Alighieri (1265 - 1321) Type of Work: Allegorical religious poem Setting Hell, Purgatory and Paradise; A.D. 1300 Principal Characters Dante, the Pilgrim Virgil, the Poet, and Dante's guide Beatrice, Dante's womanly ideal and religious inspiration Story Overview Prologue: Dante, realizing he has strayed from the "true way,. into worldliness, tells of a vision where he travels through all the levels of Hell, up the mount of Purgatory, and finally through the realms of Paradise, where he is allowed a brief glimpse of God. The traveler sets out on the night before Good Friday, and finds himself in the middle of a dark wood. There he encounters three beasts: a leopard (representing lust), a lion (pride) and a she-wolf (covetousness). Fortunately, his lady, Beatrice, along with the Virgin Mary herself, sends the spirit of Virgil, the classical Latin poet, to guide Dante through much of his journey. But as much as Dante admires and reveres Virgil, and though Dante considers him to have prophesied of the coming of Christ, Virgil is not a Christian. To Dante he represents human knowledge, or unholy reason, which cannot lead a person to God. This infidel may not pass into the highest realms. Thus, Dante is finally led to Heaven by Beatrice, his own personal and unattainable incarnation of the Virgin, who represents divine knowledge, or faith. Pilgrimage: Terrified, lost "midway in life's journey" in the worldly darkness of error, Dante met Virgil, who offered himself as a guide. Together they passed through the gates of Hell inscribed with the terrifying words: "Abandon every hope, Ye that Enter." Dante, however, as a living soul who had not yet tasted death, was exempt from such final despair. He found Hell to be a huge funnel-shaped pit divided into terraces each a standing-place for those individuals who were guilty of a particular sin. After passing Limbo, reserved for the unbaptized, Dante observed and conversed with hundreds of Hell's souls, many of whom, guilty of carnal sins, were being whirled about in the air or forced to lie deep in mud or snow, under the decrees of eternal damnation. Ciacco, a fellow Florentine, implored of Dante "... When thou shalt be in the sweet world, I pray thee bring me to men's memory." In pity, Dante frequently offered to write about those he met when he returned to mortality. These gluttons, seducers, and robbers were, for the most part, either historical figures or Dante's personal acquaintances - and each one of them represented one of the apt and horrible possibilities of Hell. For example, Alexander the Great and Attila the Hun were found dwelling in Hell's seventh terrace, forced to grovel in boiling blood - a just end for those who in life loved violence. In the very depths of Hell was Satan - with three heads, each grasping a sinner in its mouth, and with three pairs of wings that continuously beat over the waters around him, freezing them into perpetual currents of ice. Dante and Virgil cautiously climbed down the body of Satan. About midway, they turned and scrambled out through an opening (earth's center of gravity) where all things were the opposite of Hell: The sun was shining; it was Easter morning. Now hiking on in silence, they finally arrived on the shores of the Mount of Purgatory, located exactly opposite Jerusalem on the globe. First and lowest on the mountain was Antepurgatory, a place reserved for those spirits who were penitent in life, who had died without achieving full repentance or without receiving the last sacrament of the church. They were required to spend time there before they could begin their arduous climb up the mountain. A group of those poor souls who had passed away suddenly, unable to receive extreme unction, pled with the mortal visitor to speak with their relatives and friends, urging them to pray that their stay in Ante-purgatory might be shortened. As the pilgrims entered Purgatory, an angel inscribed the letter "P" on Dante's forehead seven times, to represent the seven deadly sins (pride, envy, anger, sloth, avarice, gluttony, and lust). As Dante made his way through the seven areas reserved for those who committed each of these sins, the letters were erased one by one, and the climb became less difficult. Like Hell, Purgatory was arranged in terraces. However, the inhabitants here could, through confession, repentance, patience, and the prayers of the living, move on to higher realms after a time of proper purification. In the first terrace (pride), the occupants bowed down under huge stones which they carried on their backs, while reciting The Lord's Prayer, a fitting